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Church cantata (Bach) : ウィキペディア英語版
Church cantata (Bach)

Church cantatas by Johann Sebastian Bach are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. The prescribed readings for each occasion are listed along with the cantata(s) for the occasion, including their BWV number, and the date of their first performance, if known.
==Background==

Throughout his life as a musician, Bach composed cantatas for both secular and sacred use. In Weimar, he was from 1714 to 1717 commissioned to compose one church cantata a month. In the course of almost four years there he thus covered most occasions of the liturgical year.

As ''ドイツ語:Thomaskantor'', director of music of the main churches of Leipzig, Bach was responsible for the Thomasschule and for the church music at the main churches, where a cantata was required for the service on Sundays and additional church holidays of the liturgical year. When Bach took up his office in 1723, he started to compose new cantatas for most occasions, beginning with ''Die Elenden sollen essen'', BWV 75, first performed in the Nikolaikirche on 30 May 1723, the first Sunday after Trinity. He collected them in annual cycles, five are mentioned in obituaries, three are extant. Bach started a second annual cycle on the first Sunday after Trinity of 1724, planned tocontain only chorale cantatas, each based on a single church hymn, first ''O Ewigkeit, du Donnerwort'', BWV 20, then works such as ''Wachet auf, ruft uns die Stimme'', BWV 140, ''Nun komm, der Heiden Heiland'', BWV 62, and ''Wie schön leuchtet der Morgenstern'', BWV 1.
Leipzig observed tempus clausum, quiet time, in Advent and Lent, when no cantatas were performed. All cantatas for these occasions date from Bach's earlier time. He reworked some cantatas from this period for different occasions. The high holidays Christmas, Easter and Pentecost were each celebrated on three days. Additionally, feasts were celebrated on fixed dates, the feasts of Mary, Purification (Mariae Reinigung, 2 February), Annunciation (Mariae Verkündigung, 25 March) and Visitation (Mariae Heimsuchung, 2 July), and the Saint's days of St. John the Baptist (Johannis, 24 June), St. Michael (Michaelis, 29 September), St. Stephen (Stephanus, 26 December, the second day of Christmas) and St. John the Evangelist (Johannes, 27 December, the third day of Christmas). Further feasts on fixed days were New Year's Day (Neujahr, 1 January), Epiphany (Epiphanias, 6 January) and Reformation Day (Reformationsfest, 31 October). Sacred cantatas were also performed for the inauguration of a new city council (Ratswechsel, in Leipzig in August), consecration of church and organ, weddings, confession, funerals, and functions of the University of Leipzig.
The Lutheran church of Bach's time prescribed the same readings every year, a section from a Gospel and, recited before, a corresponding section from an Epistle. A connection between the cantata text and the readings was desired. The readings are listed for each occasion, Epistle and Gospel, and linked to the Bible text in the King James version, an English translation contemporary to Bach's time, which read the translation of Martin Luther.
The church year begins with the first Sunday in Advent, but Bach started his annual cycles on the first Sunday after Trinity, as John Eliot Gardiner points out:
It also marked the beginning of the second half of the Lutheran liturgical year: the Trinity season or "Era of the Church" in which core issues of faith and doctrine are explored, in contrast to the first half, known as the "Temporale" which, beginning in Advent and ending on Trinity Sunday, focuses on the life of Christ, His incarnation, death and resurrection.

Roman numerals refer to the position of the given Sunday with respect to a feast day or season. For example, "Advent III" is the third Sunday in Advent and "Trinity V" is the fifth Sunday after Trinity. The number of Sundays after Epiphany and Trinity varies with the position of Easter in the calendar. There can be between 22 and 27 Sundays after Trinity. The maximum number of Sundays after Epiphany did not occur while Bach wrote cantatas.

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